Action Comics #900
Publisher: DC Comics
Writer (Main Story): Paul Cornell
Artists (Main Story):Pete Woods, Jesus Merino, Dan Jurgens, Rags Morales, Ardian Syaf, Jamal Igle, and Gary Frank (yeeesh!)
As the book's newly reinstated letter column is quick to point out, Action Comics is the first super hero comic to reach the impressive milestone of a 900th issue. For the past 9 or so issues, Paul Cornell has been scripting this book and focusing on a critically acclaimed examination of Superman's greatest enemy Lex Luthor. This issue brings the Luthor storyline to a close while transitioning the focus of the title back to the Man of Steel.
The fact that DC gave Cornell the privilege/burden of such a prestigious milestone is a testament both to DC's faith in Cornell, and the fantastic job he has done on this title to date. I can't speak from first hand experience, I've only been following the reviews thus far, but I can tell you that across the board, Paul Cornell's Action Comics has been the Reviewer's choice for buzz book of 2010.
Superman is one of my favorite DC characters, and yet it is very rare that I find a take on the character that I like, outside of the work of Grant Morrison, Geoff Johns, and Kurt Busiek (Although I would also love to see Chris Roberson have a shot at writing Superman free of the influence of the ill conceived and aborted idea that was J.M.S's "Grounded"). So having been without my Superman fix since Geoff Johns ended his tenure on Action Comics, and having kept an eye on all of the good things being said about Paul Cornell and his work on this title, I jumped at the chance to jump onboard this series as Cornell ended his first storyline and began a new one with Superman taking the spotlight once more.
Cornell had a lot of hype to live up to on this issue, and you know what? It was very good. Not phenomenal, he didn't re-invent the wheel by any means. But he did tell a very solid Superman/Luthor story that revealed just how well he grasps both characters. The action was as large scale as one would hope for. The issue reviewed major events from Superman's past as anniversary issues are want to do, but there was a logical and story driven reason for these reflections. Superman and Luthor go head to head in a battle of strength and wills that truly showcases the amazing grit and fortitude of Superman and the inescapable flaw of Lex Luthor.
The art, as it is for most anniversary issues, was a mixed bag jam session. Some faired far better than others with Pete Woods being the only real stand out of the bunch. Ultimately the different styles just didn't mesh well and the result distracted from this milestone issue much more than it celebrated the monumental achievement.
While I am less thrilled about the "Reign of Doomsday" storyline Cornell has inherited, I am eager to return next month. Cornell, like Johns and Morrison before him, understands that examining Superman's humanity does not have to come at the cost of doing away with the limitless and fantastical possibilities for adventure that this character and his world affords writers (Yes, in addition to a compliment to Cornell that was also another shot at J.M.S. I'm sorry, I usually like to stay positive with these things but the whole affair just really pissed me off. If you have no idea what I'm talking about, please email reviewtobenamed@gamil.com or tweet at reviewtobenamed and I'll happily fill you in.)
Grade: B+
Brightest Day #24
Publisher: DC
Writers: Geoff Johns & Peter Tomasi
Artists: Ivan Reis, Patrick Gleason, Ardian Syaf, Scott Clark, Joe Prado
SPOILER ALERT
STOP READING IF YOU HAVEN'T READ THIS ISSUE.
OR YA KNOW THE INTERNET
SERIOUSLY I'M GONNA SPOIL STUFF
NOT JUST STUFF THAT'S ON THE COVER
YOU HAVE BEEN WARNED
I was originally going to write a longer column examining this series as a whole, but the more I thought about, the more I realized that this maxi series was neither stellar enough, nor terrible enough to warrant or benefit from any sort of in-depth scrutiny, and that my thoughts on the series as a whole are really very similar to my thoughts on this issue. They can be summed up as follows: A few neat ideas undercut by a lot of questionable ideas and a narrative that moved at break neck speed to set up the next big thing, overall resulting in a lot of missed opportunities.
Let me start off with the things that I did like. I liked the explanation of the threat our heroes were facing, as it made much more sense that I thought it would. I liked the Deadman and Dove interactions, these were always a highlight of this book. I liked the conclusion of Deadman's story, undoubtedly the strongest of the five narratives, it definitely ends on the strongest and most heart wrenching note. I liked the art. The different teams all working together, jamming on what is essentially one big long showdown in the Star City Forest, was not nearly as distracting as similar artistic relay races are (See above review of Action Comics).
What I didn't like was the still very vague and overly complicated plan the White Lantern had for our heroes to save earth. It seems like Johns and Tomasi were really having difficulty connecting the narrative of these 12 characters leading many of their missions to stretch the limits of logic and practicality. Osiris for instance (not a main player in this series) was brought back so that he could help bring his Sister Isis back. Ok, so why not just Bring Isis back and skip the middle man? Same thing with Professor Zoom's mission to bring back Barry Allen. And you could make an argument that neither Isis nor Allen were truly dead (dontcha love comics?) but I still felt like they were really unsatisfying justifications as to why these characters were brought back.
The other central protagonists of Brightest Day: Aquaman, Martian Manhunter, Firestorm, Hawkman, and Hawkgirl, continue their best cover of Captain Planet this issue, even going so far as combining their powers within the new avatar of life on earth. I'm not kidding you, at very least Dove didn't jump in there to represent "heart." Say what you will about the various strengths and weaknesses of each character's respective story lines, the fact that in the end their ultimate end goal was to become spirit guides for their most closely associated natural element, and run interference for the true protector of earth is just…disappointing.
The topic of discussion on everyone's mind with the reveals of this issue and the end of this series is the ramifications to the DCU now that certain characters who have been exclusive to Vertigo are being reintegrated back into the DC Universe Proper. Yes, the new protector of Earth is Swamp Thing, and the issue ends with a brief cameo from none other than John Constantine. Yes this is an exciting and controversial move, the kind that will get fans talking and build some media buzz.
Swamp Thing (and Constantine) to a lesser extent really steal this issue. I think DC, Johns, and Tomasi's choice to focus on Swamp Thing and misdirect the conversation about this book with John Constantine's arrival is indicative of a greater problem DC has as a publisher and that is missing opportunities and squandering potential. The whole point of this maxi-series (regardless of what Johns and Didio intended or will tell you they intended) should have been reestablishing and elevating DC's lower tier A-List of characters.
If you look at the current DC publishing catalogue, you'll notice something strange (no not that the Bat titles represent a good fifth of the output, that's normal). See when you look at what DC is publishing, the most popular characters are all represented (Superman, Batman, Wonder Woman, Green Lantern, and Flash, some with more than one title) and many of DC's more obscure yet fan favorite characters are also represented (Booster Gold, Jonah Hex, Power Girl, and a plethora of Bat associates and former sidekicks). Yet many of DC middle tier characters, namely the ones who until now were currently starring in Brightest Day are sorely represented and have been absent or struggling to support a title for years now.
With Brightest Day, DC had these characters under the brightest spotlight they've been able to shine their way in awhile. And rather than bringing these characters back to basics, highlighting the core elements that makes them unique, showing us the intrinsic specialness that allows them to endure, the story focused on revising origins (confusing revisions too) and tying into an overly convoluted super story that in the end did nothing more than set up DC's next big thing, the reintroduction of the Vertigo characters.
Yes. We know that Aquaman is spinning off into his own series by Johns and Reis after this (and I get the strong vibe that at very least Firestorm is getting one too), but why not announce that in the final pages of this issue, as the conclusion of Justice League Generation Lost announced a new ongoing Justice League International.
DC should have kept the focus squarely on the most clean and simple interpretation of these characters and then spring boarded each one off into new ongoing series following the conclusion of this story, helmed by some of DC's most buzz worthy young writers (My picks would be Firestorm by Chris Roberson, Hawkman by Scott Snyder, Martian Manhunter by Peter Tomasi, and Deadman by Kelly Sue DeConnick ((LOCK HER DOWN DC, DON'T MAKE THE SAME MISTAKE YOU DID LOSING NICK SPENCER!!!!)))
But maybe the reason they didn't announce any new titles featuring the supposed stars of Brightest Day is that after this issue, who would care about anything but the Vertigo characters, as Aquaman, Hawkman, Hawkgirl, Martian Manhunter, and Firestorm really took a back seat to these characters in this issue despite the fact that they had headlined the previous 23 issues.
Standing on its own merits this was a decent issue, but viewed as a conclusion to a year long storyline and considering what it did accomplish as opposed to what it could have accomplished, ultimately, this was a disappointing book.
Grade: B-
Read more Chris' Comics Corner here
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Showing posts with label Brightest Day. Show all posts
Showing posts with label Brightest Day. Show all posts
Thursday, April 28, 2011
Wednesday, March 16, 2011
Chris' Comics Corner
Hey guys, in an effort to apologize for the absence last month, this column is extra long, bursting with content! Enjoy! I hope!
REVIEWSSSSSSSSSSSSSSSSSSSSSSSSSS
Thunderbolts #155
Publisher: Marvel
Writer: Jeff Parker
Artist: Kev Walker
I wanna start off by saying that I really enjoy this book, and I really enjoyed this particular issue, as my review might lead you to believe otherwise. Thunderbolts is a consistently satisfying read, I just think that it could be better.
This book is at it’s best when it shifts focus to the larger picture of the inner workings of the Raft penitentiary and the politics of the Thunderbolts program. I’m far more interested in the mysterious bureaucrats pulling the strings and the simmering pressure cooker that is the prison than I am in the largely self contained missions of the week. These largely action oriented done-in-one plots are very well crafted, but can sometimes be a hair repetitive and always feel like their drawn out just a few pages longer than they should be. This is Thunderbolts! The real meat of this series is people with questionable moral compasses tasked with making hard decisions, with their redemption at stake, amidst the backdrop of shadowy conspiracies.
That’s why I’m so torn about this issue. I loved the scenes at the Raft where we catch a glimpse of the expansion of the Thunderbolts program, but the scenes with Luke Cage, Dr. Strange, and Man-Thing tracking down a new team mate started to feel like it was dragging along toward the end despite a very enjoyable beginning.
I will say that Jeff Parker has flawlessly weaved some of the more obscure and interesting characters and elements of the Marvel Universe into this book; most noticeably Man-Thing and the 70’s horror side of the Marvel Universe. I don’t know if this is Parker writing towards Kev Walker’s artistic strengths (the man does creepy very well) but I’m fine with it, as this book has made a nice niche for itself in the darker, more frightening corners of the Marvel Universe.
This is a great book, all Jeff Parker needs to do to make it a phenomenal book, is to shift a bit of focus from the individual missions, the greater narrative.
Grade: B
Brightest Day #22
Publisher: DC
Writers: Geoff Johns and Peter Tomasi
Artists: Scott Clark, Ivan Reis, and Joe Prado
We are getting down to the end with DC’s often frustrating bi-weekly maxi series.
I have to say that while I’m really digging the home stretch of this story, this issue was a definite misstep. I was never really a fan of Joe Prado’s scratchy, minimalist style. And I’m sorry to get all fanboy on you, but there is no way in hell Firestorm lasts one second against the Anti-Monitor, even if it is holding back. Deathstorm joking about it does not help the situation, it just calls further attention to a major gap in story logic.
With the endgame finally in sight, and the pieces of the puzzle falling into place, I think the biggest problem with this series has been the writers keeping their cards too close to the vest. It has been revealed that six of the heroes returned to life needed to overcome the things that held them back in life, in order to serve some greater purpose in some final battle between the White Lantern and the forces corrupting the earth. This is a vague enough mystery to maintain reader interest in this series. Obviously in a book about resurrection, the journeys of the characters would have a lot to do with them making the most of their second chances and not repeating the mistakes they had made previously. I think if the writers had been more open about acknowledging this, the individual growth each character experiences at the end of his or her storyline would have felt more natural rather than the last second “light bulb over the head” revelations that have been the order of the day for the past few issues.
Grade: B-
Fear Itself Prologue: Book of the Skull #1
Publisher: Marvel
Writer: Ed Brubaker
Artist: Scot Eaton
I feel bad for any writer out there who dreams of scripting Captain America anytime in the near future, because the only their getting a hold of him is by prying him from Ed Brubaker’s cold, dead fingers. Be it steering the character in bold new directions, or revealing “forgotten” adventures from World War II, Brubaker seems to have a never ending well of Cap stories to draw from. And don’t let the title of this book fool you, this is an issue of Captain America. This book showcases the same action, intrigue, and suspense we have come to expect from that title, as Brubaker pulls back the curtain to reveal “the greatest failure of the Red Skull.”
This issue serves very nicely as a prologue for Fear Itself, revealing necessary back-story, setting a foreboding tone, and teasing the direction of the impending blockbuster, all while telling a very satisfying done-in-one adventure of Cap and his World War II allies: Bucky and Namor.
Scot Eaton’s art falls a bit flat here which is disappointing because I know just what he is capable of after admiring his work on X-Men Legacy. The action sequences are confusing to the point that it almost feels like there are time lapses between each panel. Overall I’m not exactly sure why he was chosen for this issue, as while he is a good artist, his style is definitely a bit brighter and more traditional than I think was called for in a very creepy war story.
Grade: A-
Amazing Spider-Man #656
Publisher: Marvel
Writer: Dan Slott
Artist: Marcos Martin
After failing to save J. Jonah Jameson’s wife Marla two issues ago, Spider-Man made a promise to himself and the city he protects that “no one will die” when he is around. This promise should be difficult to keep given that this issue pits Spidey against a mad man with no regard for human life, without the benefit of his spider sense which he lost the use of during the last story arc.
Obviously, while admirable, this is an unrealistic and unhealthy ambition that will most certainly wear on Peter in the coming months as it would be impossible for him to save everyone, all the time, but as a catalyst for dramatic story telling, I look forward to seeing the roads he travels down in pursuit of an impossible standard. Early criticism of Slott’s solo run focused on the fact that everything seemed to be falling into place too easily for Peter, but the constant pressure of this new pledge is sure to erode any of Pete’s newly acquired happiness. I’m also really enjoying watching Peter have to struggle to compensate for the loss of his Spider Sense. For the first time in as long as I can remember, Spidey is working without his early warning safety net, and this issue does a great job of reminding the readers of just how integral this power was in making Spider-Man the skilled combatant that he was, and returns a sense of peril to his various battles, even those against a villain whose only real power is owning a lot of guns.
As for the art, Marcos Martin is incredible. I cannot wait for his next go around on the revolving door of artists this title boasts. His style is evocative of Ditko, and Romita Sr., while being entirely unique to Martin himself. His style is old school but doesn’t feel dated. His style is both clean and detailed. He choreographed the action scenes with precision and a brutality that is unexpected given that his style might appear cartoony at first glance. This guy was born to draw Amazing Spider-Man.
Grade: A-
Where Do We Go From Here?
Item:
So Marvel is announcing new creative teams for Daredevil and Punisher re-launches at this weekend’s C2E2 convention. These creative teams are supposed to on par with Moon Knight’s Bendis and Maleev. So, just because it’s fun, I’m gonna offer up my predictions, and if you guys have some predictions of your own, I’d love to hear them!
Daredevil. Ok this one is part wishful thinking, part prediction. I think Jason Aaron would be the likely/the safe choice for the new writer, however, if Marvel really wanted to reinvigorate this title and send it in a new direction, I think that Jonathan Hickman would be a bold choice, and a good career move for the rising superstar as it would continue to display his impressive range as a writer. As for a big name pencilier, we haven’t seen much of David Aja recently and this could make for a high profile return. However that piece of promo art they showed awhile back got me thinking just how much I’d like to see Dale Eaglesham take a swing at this book. While he isn’t a dark artist per se, his hyper detailed style would definitely give a strong identity to Hell’s Kitchen. But again maybe that’s just me wishing for a Hickman/Eaglesham reunion.
Punisher. This one’s a bit harder to predict, but I think Ed Brubaker would be perfect for this title, as a tortured ex-soldier cutting a swath through the criminal element seems to play perfectly to his strengths as a writer. I would also label Jason Aaron as a strong contender. As for the art, you’d need someone gritty and realistic. (Hmm haven’t heard anything from Bryan Hitch recently have we…)That’s probably too much of a long shot, I’d say that Clayton Crain, Miguel Sepulveda, and Michael Lark have a much better shot.
Item:
Kelly Sue DeConnick is a writer with a lot of buzz building right now. Twitter lit up Monday at the prospect of her being the new writer on Supergirl, though she was quick to clarify it was just a 3 issue guest stint. Her Osborn miniseries has become a critical darling over at Marvel. It’s clear she is gonna be the next big thing in the coming year, the big two need to quit taking baby steps and give her an ongoing stat! Seriously, Marvel would make such a stronger statement of support of women in comics by putting Kelly Sue on an ongoing series, than all of their female starring/scripted one shots and weird alternate universe female targeted mini-series combined, and DC would be lucky to catch a young “buzz worthy” writer just before their big break.
Item:
Looking for some comics industry humor? Check out http://www.the-gutters.com/ Really funny web comics published three times a week!
Read more Chris' Comics Corner here
Want to keep tabs on all of our updates? follow us on twitter @reviewtobenamed (follow us here).
REVIEWSSSSSSSSSSSSSSSSSSSSSSSSSS
Thunderbolts #155
Publisher: Marvel
Writer: Jeff Parker
Artist: Kev Walker
I wanna start off by saying that I really enjoy this book, and I really enjoyed this particular issue, as my review might lead you to believe otherwise. Thunderbolts is a consistently satisfying read, I just think that it could be better.
This book is at it’s best when it shifts focus to the larger picture of the inner workings of the Raft penitentiary and the politics of the Thunderbolts program. I’m far more interested in the mysterious bureaucrats pulling the strings and the simmering pressure cooker that is the prison than I am in the largely self contained missions of the week. These largely action oriented done-in-one plots are very well crafted, but can sometimes be a hair repetitive and always feel like their drawn out just a few pages longer than they should be. This is Thunderbolts! The real meat of this series is people with questionable moral compasses tasked with making hard decisions, with their redemption at stake, amidst the backdrop of shadowy conspiracies.
That’s why I’m so torn about this issue. I loved the scenes at the Raft where we catch a glimpse of the expansion of the Thunderbolts program, but the scenes with Luke Cage, Dr. Strange, and Man-Thing tracking down a new team mate started to feel like it was dragging along toward the end despite a very enjoyable beginning.
I will say that Jeff Parker has flawlessly weaved some of the more obscure and interesting characters and elements of the Marvel Universe into this book; most noticeably Man-Thing and the 70’s horror side of the Marvel Universe. I don’t know if this is Parker writing towards Kev Walker’s artistic strengths (the man does creepy very well) but I’m fine with it, as this book has made a nice niche for itself in the darker, more frightening corners of the Marvel Universe.
This is a great book, all Jeff Parker needs to do to make it a phenomenal book, is to shift a bit of focus from the individual missions, the greater narrative.
Grade: B
Brightest Day #22
Publisher: DC
Writers: Geoff Johns and Peter Tomasi
Artists: Scott Clark, Ivan Reis, and Joe Prado
We are getting down to the end with DC’s often frustrating bi-weekly maxi series.
I have to say that while I’m really digging the home stretch of this story, this issue was a definite misstep. I was never really a fan of Joe Prado’s scratchy, minimalist style. And I’m sorry to get all fanboy on you, but there is no way in hell Firestorm lasts one second against the Anti-Monitor, even if it is holding back. Deathstorm joking about it does not help the situation, it just calls further attention to a major gap in story logic.
With the endgame finally in sight, and the pieces of the puzzle falling into place, I think the biggest problem with this series has been the writers keeping their cards too close to the vest. It has been revealed that six of the heroes returned to life needed to overcome the things that held them back in life, in order to serve some greater purpose in some final battle between the White Lantern and the forces corrupting the earth. This is a vague enough mystery to maintain reader interest in this series. Obviously in a book about resurrection, the journeys of the characters would have a lot to do with them making the most of their second chances and not repeating the mistakes they had made previously. I think if the writers had been more open about acknowledging this, the individual growth each character experiences at the end of his or her storyline would have felt more natural rather than the last second “light bulb over the head” revelations that have been the order of the day for the past few issues.
Grade: B-
Fear Itself Prologue: Book of the Skull #1
Publisher: Marvel
Writer: Ed Brubaker
Artist: Scot Eaton
I feel bad for any writer out there who dreams of scripting Captain America anytime in the near future, because the only their getting a hold of him is by prying him from Ed Brubaker’s cold, dead fingers. Be it steering the character in bold new directions, or revealing “forgotten” adventures from World War II, Brubaker seems to have a never ending well of Cap stories to draw from. And don’t let the title of this book fool you, this is an issue of Captain America. This book showcases the same action, intrigue, and suspense we have come to expect from that title, as Brubaker pulls back the curtain to reveal “the greatest failure of the Red Skull.”
This issue serves very nicely as a prologue for Fear Itself, revealing necessary back-story, setting a foreboding tone, and teasing the direction of the impending blockbuster, all while telling a very satisfying done-in-one adventure of Cap and his World War II allies: Bucky and Namor.
Scot Eaton’s art falls a bit flat here which is disappointing because I know just what he is capable of after admiring his work on X-Men Legacy. The action sequences are confusing to the point that it almost feels like there are time lapses between each panel. Overall I’m not exactly sure why he was chosen for this issue, as while he is a good artist, his style is definitely a bit brighter and more traditional than I think was called for in a very creepy war story.
Grade: A-
Amazing Spider-Man #656
Publisher: Marvel
Writer: Dan Slott
Artist: Marcos Martin
After failing to save J. Jonah Jameson’s wife Marla two issues ago, Spider-Man made a promise to himself and the city he protects that “no one will die” when he is around. This promise should be difficult to keep given that this issue pits Spidey against a mad man with no regard for human life, without the benefit of his spider sense which he lost the use of during the last story arc.
Obviously, while admirable, this is an unrealistic and unhealthy ambition that will most certainly wear on Peter in the coming months as it would be impossible for him to save everyone, all the time, but as a catalyst for dramatic story telling, I look forward to seeing the roads he travels down in pursuit of an impossible standard. Early criticism of Slott’s solo run focused on the fact that everything seemed to be falling into place too easily for Peter, but the constant pressure of this new pledge is sure to erode any of Pete’s newly acquired happiness. I’m also really enjoying watching Peter have to struggle to compensate for the loss of his Spider Sense. For the first time in as long as I can remember, Spidey is working without his early warning safety net, and this issue does a great job of reminding the readers of just how integral this power was in making Spider-Man the skilled combatant that he was, and returns a sense of peril to his various battles, even those against a villain whose only real power is owning a lot of guns.
As for the art, Marcos Martin is incredible. I cannot wait for his next go around on the revolving door of artists this title boasts. His style is evocative of Ditko, and Romita Sr., while being entirely unique to Martin himself. His style is old school but doesn’t feel dated. His style is both clean and detailed. He choreographed the action scenes with precision and a brutality that is unexpected given that his style might appear cartoony at first glance. This guy was born to draw Amazing Spider-Man.
Grade: A-
Where Do We Go From Here?
Item:
So Marvel is announcing new creative teams for Daredevil and Punisher re-launches at this weekend’s C2E2 convention. These creative teams are supposed to on par with Moon Knight’s Bendis and Maleev. So, just because it’s fun, I’m gonna offer up my predictions, and if you guys have some predictions of your own, I’d love to hear them!
Daredevil. Ok this one is part wishful thinking, part prediction. I think Jason Aaron would be the likely/the safe choice for the new writer, however, if Marvel really wanted to reinvigorate this title and send it in a new direction, I think that Jonathan Hickman would be a bold choice, and a good career move for the rising superstar as it would continue to display his impressive range as a writer. As for a big name pencilier, we haven’t seen much of David Aja recently and this could make for a high profile return. However that piece of promo art they showed awhile back got me thinking just how much I’d like to see Dale Eaglesham take a swing at this book. While he isn’t a dark artist per se, his hyper detailed style would definitely give a strong identity to Hell’s Kitchen. But again maybe that’s just me wishing for a Hickman/Eaglesham reunion.
Punisher. This one’s a bit harder to predict, but I think Ed Brubaker would be perfect for this title, as a tortured ex-soldier cutting a swath through the criminal element seems to play perfectly to his strengths as a writer. I would also label Jason Aaron as a strong contender. As for the art, you’d need someone gritty and realistic. (Hmm haven’t heard anything from Bryan Hitch recently have we…)That’s probably too much of a long shot, I’d say that Clayton Crain, Miguel Sepulveda, and Michael Lark have a much better shot.
Item:
Kelly Sue DeConnick is a writer with a lot of buzz building right now. Twitter lit up Monday at the prospect of her being the new writer on Supergirl, though she was quick to clarify it was just a 3 issue guest stint. Her Osborn miniseries has become a critical darling over at Marvel. It’s clear she is gonna be the next big thing in the coming year, the big two need to quit taking baby steps and give her an ongoing stat! Seriously, Marvel would make such a stronger statement of support of women in comics by putting Kelly Sue on an ongoing series, than all of their female starring/scripted one shots and weird alternate universe female targeted mini-series combined, and DC would be lucky to catch a young “buzz worthy” writer just before their big break.
Item:
Looking for some comics industry humor? Check out http://www.the-gutters.com/ Really funny web comics published three times a week!
Read more Chris' Comics Corner here
Want to keep tabs on all of our updates? follow us on twitter @reviewtobenamed (follow us here).
Thursday, February 3, 2011
Chris' Comics Corner
I feel like every week I call one of the books I review “one of my favorites” or “at the top of my reading list,” so I thought it would only be fair to just tell you up front what my ten favorite books of the moment are. Mind you this list is subject to change at the drop of a hat (or the first issue of Fear Itself.) Ok so, my top ten reads, with #1 being my current favorite:
10. Flash-DC
The new adventures of the fastest man alive by Geoff Johns and Francis Manapul
9. S.H.I.E.I.L.D.-Marvel
A high concept series that reveals the secret history of the Marvel Universe through the eyes of S.H.I.E.L.D. agents Leonardo DaVinci, Sir Isaac Newton, Galileo, Nathan Ridchards, and Howard Stark. By Johnathan Hickman and Dustin Weaver.
8. Secret Avengers-Marvel
The current status quo of the Marvel Universe sees Steve Rogers in charge of world security, and he enforces it with his black ops team of clandestine Avengers.
By Ed Brubaker and Mike Deodato Jr.
7. iZombie-Vertigo
A delightfully quirky and charming mature readers series following the adventures of a Zombie detective and her group of undead friends. By Chris Roberson and Mike Allred.
6. Avengers Academy-Marvel
A training program where the Avengers with the most personnal baggage try to steer at risk teen heroes towards the path of good. By Christos Gage and Mike McKone
5. Invincible Iron Man-Marvel
Tony Stark attempts to put the shambles of his life back together after losing everything, and he’s doing so by reinventing the wheel (or more specifically the electric car). By Matt Fraction and Salvador Larocca
4. Uncanny X-Men-Marvel
Cyclops leads a mutant nation towards an uncertain future, featuring a cast of everyone who has ever been affiliated with any sort of X team. By Matt Fraction, Kiernon Gillen, Terry Dodson, and Greg Land.
3. Fantastic Four-Marvel
The adventures of Marvel’s first family of adventurers and explorers, now reeling from the death of one of their own. By Johnathan Hickman and Steve Epting
2. Green Lantern-DC
Green Lantern Hal Jordan forges an alliance with the leaders of the various other lantern corps in order to confront a powerful and mysterious new adversary. By Geoff Johns and Doug Mahnke
1. Batman Inc.-DC
Bruce Wayne is back, and he is traveling the world to recruit and train an international network of bat affiliated super heroes. By Grant Morrison and Yanick Paquette
So there you have it, hopefully that will give you a better sense of my tastes and preferences, as well as some ideas for some great books to check out.
Now then. Reviews.
The Invincible Iron Man #500.1
Publisher: Marvel
Writer: Matt Fraction
Artist: Salvador Larocca
I'm gonna go out on a limb, and say that I believe this is the first published issue of Marvel's new .1 initiative. Their plan is to do a standalone .1 issues of some of their most popular titles. It is their most recent tilt at the windmill that is acquiring new readers. I've seen a lot of similar attempts over the years, and while I'm unsure if they ever succeed in bringing in new readers, (I tend to doubt it), they usually mean an issue long boring rehash of the protagonist's origin and recent adventures for those who have been reading all along.
Granted this time around Marvel has put their A list up to the task, with most of the .1 books being written by the series's regular creative team, and a few genius fill ins (Alright, call me a hypocrite, but I'm genuinely excited for Nick Spencer's Secret Avengers 12.1).
Opening up the most recent issue of Iron Man I got half of what I expected. Yes it was a rehash issue, featuring Tony at an AA meeting recounting his life, minus the specific details, to a group of strangers. And it was a phenomenal read. Fraction has such a way with words. He is the freshest, most unique, and natural voice in comics today. Fraction reveals Tony's perspective on the events we all know so well, letting us in on Tony's self reflections, analysis, and mini reveals, and does so by diving away from the cliches and the standard rhetoric we've come to expect from such tales, (both AA meetings and super hero origin). Larocca proves he is up to the task of packing a lifetime into these pages without the art becoming too cluttered or confusing, and I really like how he altered his style slightly for the flashback sequences.
And to top it all off, Fraction and Larocca also give us a MAJOR plot development, and tease the coming year's worth of storylines. Invincible Iron Man is such a phenomenal book, and if what came before was the low gear, then the next year's worth of stories will truly be something to remember. For once, I'm really pulling for Marvel's new reader friendly initiative, because the time to start reading Invincible Iron Man was three years ago. But that's ok. Marvel is giving you a chance to get on board now.
Grade: A-
Amazing Spider-Man #653
Publisher: Marvel
Writer: Dan Slott
Artist: Stefano Caselli
Spider-Man faces off against Alyster Smythe, the Scorpion, and an army of Spider Slayers intent on killing Mayor J. Jonah Jameson's loved ones in front of him. This is an action heavy issue, so it feels a little bit slower paced than the roller coast ride that the past few issues of the new status quo has felt like.
Stefano Caselli brings his A game, and as we knew he would ever since he drew those Spidey guest appearances back in early issues of Avengers: The Initiative, he is just crushing it on this title. His style is very fluid, and I really like how he draws Spider-Man, returning that lithe and slightly creepy look that Ditko was known for.
The action is enjoyable, but Slott's writing sometimes feels a little bit too old school for its own good. Don't get me wrong, I love what he's done to propel the title and Peter himself forward, by giving Peter a new career and new supporting cast members, and I do like most of the nostalgic elements he's returned, such as classic villains, and fan favorite supporting characters. However Slott's exposition heavy style and cringe inducing jokes need to be toned down before this title can truly shine.
Grade: B-
iZombie #10
Publisher: DC/Vertigo
Writer: Chris Roberson
Artist: Mike Allred
Gwen is dead. She hangs out in a cemetery. Her best friends are a ghost and a were-terrier. Her mentor is a mummy. Every so often she needs to eat a brain. If she doesn't she'll turn into a mindless, shambling zombie. When she eats a brain she absorbs the memories and last desires of the departed, and does not know peace until she finishes what they left unfinished.
Her life is getting a lot more complicated what with the roguishly handsome demon hunter who rode into town on the trail of a bunch of vampires who run a paintball course, and the Bride of Frankenstein buying bodies from the city morgue. Oh, also the spirit of the were-terrier's grandfather has settled into a Chimpanzee.
It is a testament to the strength of these two creators that even two relatively quiet, set-up issues in a row have not diminished my love for this incredibly original and engaging book. Roberson and Allred have taken the horror/monster genre that is being so callously abused by others these days, and done something new and wonderful with it. Gwen's world is fascinating, fun, and suspenseful.
I hadn't read much of Chris Roberson before this, but I look forward to continuing to watch his career, this guy is gonna be a house name superstar in no time. And for those of you who do not know the inimitable Mike Allred, please, google him, check out his work, and let his clean, zany, pop style mesmerize you.
I know I recommend every book I review, but this is the one I recommend above all others. If you have any passing interest in comics, zombies, horror movies, detective stories, drama, or talking monkeys, you really need to pick up this book. I truly believe that iZombie has something to be enjoyed by all audiences. Get in on the ground floor of something special, that will be fondly remembered by cult followings for years and years to come. If for no other reason than I would be heartbroken if it were cancelled.
Grade: A-
Brightest Day #19
Publsher: DC
Writer: Geoff Johns & Peter Tomasi
Artist: Ivan Reis
Aquaman and Deadman take center stage this time around, and Brightest Day continues its surprising streak of winners. This issue kicks off with a quick check in with Deadman, who is in shock after the white ring he wears vaporized Hawkman and Hawkgirl and informs him it must do the same of Aquaman, Firestorm, and Martian Manhunter if the Earth is to survive the coming crisis.
We then dive right into Aquawar, with Aquaman and the new Aqualad defending the shores of a tropical resort against the invading armies of the Atlantean Penal Colony that had been locked away in the Bermuda Triangle.
There have been some hints, but after this issue, I need rock solid confirmation. This creative team needs to do an Aquaman ongoing series when all is said and done. And they need to bring Aspen MLT's Peter Steigerwald along for the ride as the book's colorist, cuz this issue is GORGEOUS!
The book ends with Black Manta once again proving what a bad ass he is by slicing off Aquaman's hand (poor guy can't catch a break, but I have to admit, I always liked the harpoon handed version best). This is gonna be one bloody brutal showdown next issue.
Grade: B+
Read more Chris' Comics Corner here
10. Flash-DC
The new adventures of the fastest man alive by Geoff Johns and Francis Manapul
9. S.H.I.E.I.L.D.-Marvel
A high concept series that reveals the secret history of the Marvel Universe through the eyes of S.H.I.E.L.D. agents Leonardo DaVinci, Sir Isaac Newton, Galileo, Nathan Ridchards, and Howard Stark. By Johnathan Hickman and Dustin Weaver.
8. Secret Avengers-Marvel
The current status quo of the Marvel Universe sees Steve Rogers in charge of world security, and he enforces it with his black ops team of clandestine Avengers.
By Ed Brubaker and Mike Deodato Jr.
7. iZombie-Vertigo
A delightfully quirky and charming mature readers series following the adventures of a Zombie detective and her group of undead friends. By Chris Roberson and Mike Allred.
6. Avengers Academy-Marvel
A training program where the Avengers with the most personnal baggage try to steer at risk teen heroes towards the path of good. By Christos Gage and Mike McKone
5. Invincible Iron Man-Marvel
Tony Stark attempts to put the shambles of his life back together after losing everything, and he’s doing so by reinventing the wheel (or more specifically the electric car). By Matt Fraction and Salvador Larocca
4. Uncanny X-Men-Marvel
Cyclops leads a mutant nation towards an uncertain future, featuring a cast of everyone who has ever been affiliated with any sort of X team. By Matt Fraction, Kiernon Gillen, Terry Dodson, and Greg Land.
3. Fantastic Four-Marvel
The adventures of Marvel’s first family of adventurers and explorers, now reeling from the death of one of their own. By Johnathan Hickman and Steve Epting
2. Green Lantern-DC
Green Lantern Hal Jordan forges an alliance with the leaders of the various other lantern corps in order to confront a powerful and mysterious new adversary. By Geoff Johns and Doug Mahnke
1. Batman Inc.-DC
Bruce Wayne is back, and he is traveling the world to recruit and train an international network of bat affiliated super heroes. By Grant Morrison and Yanick Paquette
So there you have it, hopefully that will give you a better sense of my tastes and preferences, as well as some ideas for some great books to check out.
Now then. Reviews.
The Invincible Iron Man #500.1
Publisher: Marvel
Writer: Matt Fraction
Artist: Salvador Larocca
I'm gonna go out on a limb, and say that I believe this is the first published issue of Marvel's new .1 initiative. Their plan is to do a standalone .1 issues of some of their most popular titles. It is their most recent tilt at the windmill that is acquiring new readers. I've seen a lot of similar attempts over the years, and while I'm unsure if they ever succeed in bringing in new readers, (I tend to doubt it), they usually mean an issue long boring rehash of the protagonist's origin and recent adventures for those who have been reading all along.
Granted this time around Marvel has put their A list up to the task, with most of the .1 books being written by the series's regular creative team, and a few genius fill ins (Alright, call me a hypocrite, but I'm genuinely excited for Nick Spencer's Secret Avengers 12.1).
Opening up the most recent issue of Iron Man I got half of what I expected. Yes it was a rehash issue, featuring Tony at an AA meeting recounting his life, minus the specific details, to a group of strangers. And it was a phenomenal read. Fraction has such a way with words. He is the freshest, most unique, and natural voice in comics today. Fraction reveals Tony's perspective on the events we all know so well, letting us in on Tony's self reflections, analysis, and mini reveals, and does so by diving away from the cliches and the standard rhetoric we've come to expect from such tales, (both AA meetings and super hero origin). Larocca proves he is up to the task of packing a lifetime into these pages without the art becoming too cluttered or confusing, and I really like how he altered his style slightly for the flashback sequences.
And to top it all off, Fraction and Larocca also give us a MAJOR plot development, and tease the coming year's worth of storylines. Invincible Iron Man is such a phenomenal book, and if what came before was the low gear, then the next year's worth of stories will truly be something to remember. For once, I'm really pulling for Marvel's new reader friendly initiative, because the time to start reading Invincible Iron Man was three years ago. But that's ok. Marvel is giving you a chance to get on board now.
Grade: A-
Amazing Spider-Man #653
Publisher: Marvel
Writer: Dan Slott
Artist: Stefano Caselli
Spider-Man faces off against Alyster Smythe, the Scorpion, and an army of Spider Slayers intent on killing Mayor J. Jonah Jameson's loved ones in front of him. This is an action heavy issue, so it feels a little bit slower paced than the roller coast ride that the past few issues of the new status quo has felt like.
Stefano Caselli brings his A game, and as we knew he would ever since he drew those Spidey guest appearances back in early issues of Avengers: The Initiative, he is just crushing it on this title. His style is very fluid, and I really like how he draws Spider-Man, returning that lithe and slightly creepy look that Ditko was known for.
The action is enjoyable, but Slott's writing sometimes feels a little bit too old school for its own good. Don't get me wrong, I love what he's done to propel the title and Peter himself forward, by giving Peter a new career and new supporting cast members, and I do like most of the nostalgic elements he's returned, such as classic villains, and fan favorite supporting characters. However Slott's exposition heavy style and cringe inducing jokes need to be toned down before this title can truly shine.
Grade: B-
iZombie #10
Publisher: DC/Vertigo
Writer: Chris Roberson
Artist: Mike Allred
Gwen is dead. She hangs out in a cemetery. Her best friends are a ghost and a were-terrier. Her mentor is a mummy. Every so often she needs to eat a brain. If she doesn't she'll turn into a mindless, shambling zombie. When she eats a brain she absorbs the memories and last desires of the departed, and does not know peace until she finishes what they left unfinished.
Her life is getting a lot more complicated what with the roguishly handsome demon hunter who rode into town on the trail of a bunch of vampires who run a paintball course, and the Bride of Frankenstein buying bodies from the city morgue. Oh, also the spirit of the were-terrier's grandfather has settled into a Chimpanzee.
It is a testament to the strength of these two creators that even two relatively quiet, set-up issues in a row have not diminished my love for this incredibly original and engaging book. Roberson and Allred have taken the horror/monster genre that is being so callously abused by others these days, and done something new and wonderful with it. Gwen's world is fascinating, fun, and suspenseful.
I hadn't read much of Chris Roberson before this, but I look forward to continuing to watch his career, this guy is gonna be a house name superstar in no time. And for those of you who do not know the inimitable Mike Allred, please, google him, check out his work, and let his clean, zany, pop style mesmerize you.
I know I recommend every book I review, but this is the one I recommend above all others. If you have any passing interest in comics, zombies, horror movies, detective stories, drama, or talking monkeys, you really need to pick up this book. I truly believe that iZombie has something to be enjoyed by all audiences. Get in on the ground floor of something special, that will be fondly remembered by cult followings for years and years to come. If for no other reason than I would be heartbroken if it were cancelled.
Grade: A-
Brightest Day #19
Publsher: DC
Writer: Geoff Johns & Peter Tomasi
Artist: Ivan Reis
Aquaman and Deadman take center stage this time around, and Brightest Day continues its surprising streak of winners. This issue kicks off with a quick check in with Deadman, who is in shock after the white ring he wears vaporized Hawkman and Hawkgirl and informs him it must do the same of Aquaman, Firestorm, and Martian Manhunter if the Earth is to survive the coming crisis.
We then dive right into Aquawar, with Aquaman and the new Aqualad defending the shores of a tropical resort against the invading armies of the Atlantean Penal Colony that had been locked away in the Bermuda Triangle.
There have been some hints, but after this issue, I need rock solid confirmation. This creative team needs to do an Aquaman ongoing series when all is said and done. And they need to bring Aspen MLT's Peter Steigerwald along for the ride as the book's colorist, cuz this issue is GORGEOUS!
The book ends with Black Manta once again proving what a bad ass he is by slicing off Aquaman's hand (poor guy can't catch a break, but I have to admit, I always liked the harpoon handed version best). This is gonna be one bloody brutal showdown next issue.
Grade: B+
Read more Chris' Comics Corner here
Thursday, January 6, 2011
Chris' Comics Corner
Hello all! Welcome to the first Installment of Chris's Comics Corner. I would like to begin with a big thank you to Jordan, both for hosting this feature, and for coming up with the awesomely alliterative title.
I'm guessing that most of you reading this are not die hard fans. I will assume that, at best you have a casual interest in and a passing knowledge of comics. I get that. I want this feature to be accessible, and I'm going to do my best to keep it that way. This isn't a column for the fanboys, this is a column for people who enjoy cool stories, and want to learn some more about one of the most fascinating and most misunderstood mediums of storytelling. I can only hope that my enthusiasm for the material I'm writing about might encourage you to swing by your local comic shop, and flip through some great books.
The feature will consist of two parts.
1.) Reviews. Each week, I will try to review a few newly released books. The reviews will be short, and I will be using Jordan's letter grade system.
2.) Where Do We Go From Here. This section will be a look at the business aspect of comics, as I believe it is equally as fascinating as the stories themselves. I will examine trends in storytelling, try to shed some light on the motivations behind the decisions of the publishers, and occasionally make predictions for the coming year. This section could also include a list of five somethings related to comics. For Instance, Five Artists To Watch, My Five Favorite Batman Stories, etc.
Now, let's get down to business, shall we?
REVIEWS :
Superboy #3
DC Comics
Writer: Jeff Lemire Artist: Pier Gallo
Superboy follows Connor Kent, a teenaged clone who shares 50% of Superman's DNA, and 50% of Superman's arch rival Lex Luthor's DNA, and chronicles his adventures growing up in and protecting Superman's home town of Smallville. Jeff Lemire is a writer best known for his independent non-superhero related work, and while I think he is still finding his footing as a writer in the superhero medium, he is definitely steering this title in the right direction.
This issue finds Connor distraught over the destruction of Smallville's crops by an alien device of unknown origin. Connor saved Smallville, but not the crops that this rural community survives on for their livelihood. Instead of moping, or ignoring the problem, Connor finds a solution, one that is rooted in DC tradition: He asks his friend and teammate Kid Flash to participate in a race as a fundraiser to help the town's farmers get back on their feet. Pleased with his solution, Connor heads to school, only to witness the entire student body black out from extreme migraines due to the arrival of a strange visitor from the future.
Superboy is unique among superhero comics, in that it walks a fine line between horror Sci Fi, and Norman Rockwell. Smallville was always a strange place, but Lemire has injected a much welcome Sunnydale-esque strangeness into this sleepy little farm town. But at its heart, this book is the story of a kid coming of age in rural America, living on a farm with Superman's adoptive mom, and having adventures with his super powered dog Krypto. It's that down to earth and wholesome quality, epitomized in this issue by Connor's concern for his neighbor's plight and his actions to help them, beyond just stopping a super villain's evil plan, that makes this title great. Extreme property damage is a staple of superhero comics, and is often forgotten, or dismissed with a tongue-in-cheek joke. However Connor follows through and cleans up the mess. With little touches like this, Lemire is fast making Connor one of the most likable protagonists in comics.
Grade: B
Brightest Day #17
DC Comics
Writers: Geoff Johns & Peter Tomasi Artists: Ivan Reis, Ardian Syaf, Scot Clark, & Joe Prado
Brightest Day is a 26 issue Bi-Monthly Maxi-Series that follows the adventures of six heroes (Aquaman, Martian Manhunter, Hawkman, Hawkgirl, Firestorm, and Deadman) who were resurrected at the end of last year's mega event, Blackest Night. Each hero has their own separate plot line (with the exception of the Hawks), and each individual issue focuses on two or three of these plot lines. Despite the phenomenal creative talent behind this book, its quality can best be described as uneven. This issue however, was a pleasant surprise.
The Firestorm, Hawkman & Hawkgirl, and Deadman stories took center stage this week. The Firestorm and Hawks stories have traditionally been my least favorite of the bunch, but both installments proved to be fairly enjoyable this time around. However the real highlight of the issue were the portions with Deadman. Deadman was a character who began his superhero career by dying and becoming a disembodied spirit, so watching him come to terms with a second lease on life has consistently been one of the most enjoyable parts of this series. Whether it's his surprising and touching (though strangely not creepy despite their age difference) relationship with fellow heroine Dove, or his reunion with the grandfather whom he dismissed and ignored as a boy, Deadman, a character who was defined by his vanity and isolation, is finally discovering how to embrace life, and realizing it is best when shared with others. These scenes are beautifully rendered by Ivan Reis who has proven that he can do quiet emotional moments just as well as he can do blockbuster action scenes. The characters' expressions say volumes, especially during the almost completely wordless reunion of grandfather and grandson, and the joyful motorcycle ride at the issue's close.
I'm willing to cut the creators some slack as a bi-monthly release schedule following nine protagonists in five different story lines is a massive undertaking. When a title is released this rapidly it's hard to change course and correct mistakes. However it's a shame that the impact of the higher quality stories like the Deadman and Aquaman features are adulterated by the space constraints of having to advance the plots of several different stories in so few pages, and the fact that due to the shifting focus, it will probably be another two or three issues until we get the next installment of this very moving story.
Grade: B
WHERE DO WE GO FROM HERE?
FIVE REASONS 2011 WILL ROCK
1.) Fear Itself. Not much is known about Marvel's next big blockbuster event, except that Captain America and Thor will play a large role. All you really need to know is that this book is written by Matt Fraction, my favorite writer at Marvel and one of the most fresh, intelligent, and creative voices in comics today. And it is drawn by the incomparable Stuart Immonen whose runs on Nextwave, Ultimate Spider-Man, and New Avengers made him a super star. These are two of my favorite creators and I am so happy that Marvel is highlighting their talents by entrusting them with what is sure to be the biggest book 2011.
2.) Spider-Man Titles. Dan Slott is writing a bi-monthly Amazing Spider-Man that is bursting at the seems with content and simmering sub plots. Peter has a new job, a new girlfriend, and a new supporting cast and Spider-Man has to deal with a new Sinister Six, a new Venom, and the return of the Kingpin. Ultimate Spider-Man kicks off the Spring with the very secretive Death of Spider-Man storyline which reunites penciler Mark Bagley with writer Brian Bendis. These two superstars not only launched the series, but also produced a record 111 issues in a row, the longest uninterrupted run of any writer/artist team ever! 2011 will be a good year for Spider-Man fans.
3.) War of The Green Lanterns. A crossover between the three ongoing series (Green Lantern, Green Lantern Corps, & Green Lantern: Emerald Warriors) of DC's hottest franchise? Yes please. Geoff Johns, Peter Tomasi, and Tony Bedard continue to expand the Green Lantern Mythos in this event which will focus on an ideological conflict between the four main GL's (Hal Jordan, Kyle Raynor, Guy Gardner, and John Stewart), sparking a Green Lantern civil war.
4.) DC's Line In The Sand. Just when it seemed like a 3.99 comics price tag was inevitable, DC announced a firm 2.99 price cap. This is an incredibly classy move on their part and shows a great amount of empathy and support for the fans. It will be interesting to see how Marvel responds.
5.) New Casanova. Matt Fraction's mature readers, creator owned psychedelic, science fiction, super spy thriller returns to delight our senses and induce brain hemorrhages if stared at for too long. This book is one of a kind, and all around awesome. 2011 will see the in-color reprint of volume II and the first new installment of Casanova in years!
Read more Chris' Comics Corner here
I'm guessing that most of you reading this are not die hard fans. I will assume that, at best you have a casual interest in and a passing knowledge of comics. I get that. I want this feature to be accessible, and I'm going to do my best to keep it that way. This isn't a column for the fanboys, this is a column for people who enjoy cool stories, and want to learn some more about one of the most fascinating and most misunderstood mediums of storytelling. I can only hope that my enthusiasm for the material I'm writing about might encourage you to swing by your local comic shop, and flip through some great books.
The feature will consist of two parts.
1.) Reviews. Each week, I will try to review a few newly released books. The reviews will be short, and I will be using Jordan's letter grade system.
2.) Where Do We Go From Here. This section will be a look at the business aspect of comics, as I believe it is equally as fascinating as the stories themselves. I will examine trends in storytelling, try to shed some light on the motivations behind the decisions of the publishers, and occasionally make predictions for the coming year. This section could also include a list of five somethings related to comics. For Instance, Five Artists To Watch, My Five Favorite Batman Stories, etc.
Now, let's get down to business, shall we?
REVIEWS :
Superboy #3
DC Comics
Writer: Jeff Lemire Artist: Pier Gallo
Superboy follows Connor Kent, a teenaged clone who shares 50% of Superman's DNA, and 50% of Superman's arch rival Lex Luthor's DNA, and chronicles his adventures growing up in and protecting Superman's home town of Smallville. Jeff Lemire is a writer best known for his independent non-superhero related work, and while I think he is still finding his footing as a writer in the superhero medium, he is definitely steering this title in the right direction.
This issue finds Connor distraught over the destruction of Smallville's crops by an alien device of unknown origin. Connor saved Smallville, but not the crops that this rural community survives on for their livelihood. Instead of moping, or ignoring the problem, Connor finds a solution, one that is rooted in DC tradition: He asks his friend and teammate Kid Flash to participate in a race as a fundraiser to help the town's farmers get back on their feet. Pleased with his solution, Connor heads to school, only to witness the entire student body black out from extreme migraines due to the arrival of a strange visitor from the future.
Superboy is unique among superhero comics, in that it walks a fine line between horror Sci Fi, and Norman Rockwell. Smallville was always a strange place, but Lemire has injected a much welcome Sunnydale-esque strangeness into this sleepy little farm town. But at its heart, this book is the story of a kid coming of age in rural America, living on a farm with Superman's adoptive mom, and having adventures with his super powered dog Krypto. It's that down to earth and wholesome quality, epitomized in this issue by Connor's concern for his neighbor's plight and his actions to help them, beyond just stopping a super villain's evil plan, that makes this title great. Extreme property damage is a staple of superhero comics, and is often forgotten, or dismissed with a tongue-in-cheek joke. However Connor follows through and cleans up the mess. With little touches like this, Lemire is fast making Connor one of the most likable protagonists in comics.
Grade: B
Brightest Day #17
DC Comics
Writers: Geoff Johns & Peter Tomasi Artists: Ivan Reis, Ardian Syaf, Scot Clark, & Joe Prado
Brightest Day is a 26 issue Bi-Monthly Maxi-Series that follows the adventures of six heroes (Aquaman, Martian Manhunter, Hawkman, Hawkgirl, Firestorm, and Deadman) who were resurrected at the end of last year's mega event, Blackest Night. Each hero has their own separate plot line (with the exception of the Hawks), and each individual issue focuses on two or three of these plot lines. Despite the phenomenal creative talent behind this book, its quality can best be described as uneven. This issue however, was a pleasant surprise.
The Firestorm, Hawkman & Hawkgirl, and Deadman stories took center stage this week. The Firestorm and Hawks stories have traditionally been my least favorite of the bunch, but both installments proved to be fairly enjoyable this time around. However the real highlight of the issue were the portions with Deadman. Deadman was a character who began his superhero career by dying and becoming a disembodied spirit, so watching him come to terms with a second lease on life has consistently been one of the most enjoyable parts of this series. Whether it's his surprising and touching (though strangely not creepy despite their age difference) relationship with fellow heroine Dove, or his reunion with the grandfather whom he dismissed and ignored as a boy, Deadman, a character who was defined by his vanity and isolation, is finally discovering how to embrace life, and realizing it is best when shared with others. These scenes are beautifully rendered by Ivan Reis who has proven that he can do quiet emotional moments just as well as he can do blockbuster action scenes. The characters' expressions say volumes, especially during the almost completely wordless reunion of grandfather and grandson, and the joyful motorcycle ride at the issue's close.
I'm willing to cut the creators some slack as a bi-monthly release schedule following nine protagonists in five different story lines is a massive undertaking. When a title is released this rapidly it's hard to change course and correct mistakes. However it's a shame that the impact of the higher quality stories like the Deadman and Aquaman features are adulterated by the space constraints of having to advance the plots of several different stories in so few pages, and the fact that due to the shifting focus, it will probably be another two or three issues until we get the next installment of this very moving story.
Grade: B
WHERE DO WE GO FROM HERE?
FIVE REASONS 2011 WILL ROCK
1.) Fear Itself. Not much is known about Marvel's next big blockbuster event, except that Captain America and Thor will play a large role. All you really need to know is that this book is written by Matt Fraction, my favorite writer at Marvel and one of the most fresh, intelligent, and creative voices in comics today. And it is drawn by the incomparable Stuart Immonen whose runs on Nextwave, Ultimate Spider-Man, and New Avengers made him a super star. These are two of my favorite creators and I am so happy that Marvel is highlighting their talents by entrusting them with what is sure to be the biggest book 2011.
2.) Spider-Man Titles. Dan Slott is writing a bi-monthly Amazing Spider-Man that is bursting at the seems with content and simmering sub plots. Peter has a new job, a new girlfriend, and a new supporting cast and Spider-Man has to deal with a new Sinister Six, a new Venom, and the return of the Kingpin. Ultimate Spider-Man kicks off the Spring with the very secretive Death of Spider-Man storyline which reunites penciler Mark Bagley with writer Brian Bendis. These two superstars not only launched the series, but also produced a record 111 issues in a row, the longest uninterrupted run of any writer/artist team ever! 2011 will be a good year for Spider-Man fans.
3.) War of The Green Lanterns. A crossover between the three ongoing series (Green Lantern, Green Lantern Corps, & Green Lantern: Emerald Warriors) of DC's hottest franchise? Yes please. Geoff Johns, Peter Tomasi, and Tony Bedard continue to expand the Green Lantern Mythos in this event which will focus on an ideological conflict between the four main GL's (Hal Jordan, Kyle Raynor, Guy Gardner, and John Stewart), sparking a Green Lantern civil war.
4.) DC's Line In The Sand. Just when it seemed like a 3.99 comics price tag was inevitable, DC announced a firm 2.99 price cap. This is an incredibly classy move on their part and shows a great amount of empathy and support for the fans. It will be interesting to see how Marvel responds.
5.) New Casanova. Matt Fraction's mature readers, creator owned psychedelic, science fiction, super spy thriller returns to delight our senses and induce brain hemorrhages if stared at for too long. This book is one of a kind, and all around awesome. 2011 will see the in-color reprint of volume II and the first new installment of Casanova in years!
Read more Chris' Comics Corner here
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