The Avengers #11
Publisher: Marvel
Writer: Brian Michael Bendis
Artist: John Romita Jr.
"For the once and future Captain America will not let the world die this day."
Wow. That was easily the best issue of Bendis' run on the newly relaunched Avengers title to date, and I say that as a fan of the book and its current direction.
As the most epic and Avenger-y of the Avengers line of titles, Avengers needs to be the holy $#!% world ending crisis book, and from time itself breaking apart in the first arc, and the infinity gems being collected by a guy way over his head in the current story, Bendis has definitely delivered. Bendis juggles a huge cast here, but their presence is demanded by the stakes of the story he is telling, and he does a good enough job of giving small moments to a wide array of background players, as well as bigger moments for the stars of this story, namely The Hood, Thor, Hulk, Steve, Iron Man, and Xavier.
John Romita Jr. is one of those quintessential Marvel artists. His renditions of so many different characters are considered to be among some of their most iconic, so I can think of few artists better suited to drawing this very impressive assemblage of Avengers. Romita Jr. illustrates this issue almost entirely in splash pages. This is a technique I'm usually not a fan of as it is often used to unnecessarily pad an issue at the price of actual plot progression (I'm looking right at you New Avengers Vol. 1 Issue #16). However this time around, it really worked.
The big pages emphasized just what a big story this was. Each page moved the story along, and showcased jaw dropping, wide screen action sequences. And not having to draw multiple panels really allowed Romita Jr. to put the necessary details into the crowd shots that would have suffered had he needed to draw 6 different panels of about a dozen or so super heroes each page.
Bendis' usually verbose style is somewhat reigned in this issue. The Watcher's narration adds to the feeling that the stakes could not be any higher, and while the narration does at times spell things out the reader might've been able to infer, again, in this particular instance it actually kinda works, and highlights just how cool a lot of these characters are.
The issue ended on a phenomenal (and very satisfying) twist cliffhanger that I can confidently say will leave me counting down the weeks until the next issue drops.
Grade: A-
Thor #621
Publisher: Marvel
Writer: Matt Fraction
Artists: Pasqual Ferry and Salvador Larocca
"Hah 'Boy.' Only I get to call him that."
It really pains me to say this, but Thor #621 is a very disappointing conclusion to Fraction and Ferry's debut arc on the title. After four straight issues of build up showcasing just how bad-ass and unstoppable the World Eaters are, the actual showdown between them and the Asgardians couldn't have been more anti-climactic.
Between last issue, and this one, the fight lasted about an issue and a half, and most of that was Odin and the World Eater's king having a very static and slightly confusing grappling session. Fraction's solution to the crisis comes off as a deus ex machina because he didn't adequately establish and explain the "rules" he references in this issue. Yes he spent a lot of time in the first issue establishing how the World Tree was a way of interpreting reality, and how nature abhors a vacuum, but he never touched upon how the World Eaters moved between realms, how they were tied to the World Tree and thus trapped in it when it was severed, and how something like that could even be severed to begin with! Maybe this is something more die hard Thor fans can explain to me, but as a very intelligent, and longtime comics reader, I think the creative team has a problem on their hands if I'm lost at the end of their first, introductory story arc.
The solution also seems like it is too easily achieved, as there is only a handful of scenes showing Thor's attempt to sever the World Tree, and the art fails to make what should be an assembled horde of invaders look very horde like, and at times makes it very confusing to figure out what is vexing Thor, and what gives him his second wind. Pasqual Ferry is assisted by a rush finish job from Salvador Larocca which ends up doing no favors to either artist. Ferry has an inimitable style, and while Larocca is a great artist in his own right, his style is too realistic when contrasted against the fantastical visuals we've come to expect from Ferry and demanded by this story.
After the immensely cool idea of the Asgardian Blood Legion was introduced last issue, I was expecting much more in the way of fantastical Matt Fraction ideas of how gods would wage war, rendered beautifully by the fairy tale esque pencils of Pasqual Ferry. Instead of seeing the Asgardians and assembled creatures of the world tree battle for their very survival, we got Thor and Odin duking it out with a handful of invaders. That plus how quickly the battle is ended completely undercut the tension of the story and the menace of the antagonists so masterfully established in early chapters.
This arc really felt like it could have used an extra issue to make the battle feel as grand as it should have been, and with Fraction and Thor moving into a new title with a new #1, with a new artist (Mighty Thor, it's a jumping on point to coincide with the movie, Coipel's drawing the first arc, Ferry is back for the one after), there's no reason Marvel couldn't have let Ferry take all the time he needed to finish the story and make it look just as polished as its first act.
On a positive note, Fraction really knows how to write Asgardian dialogue, and the story ended on a really satisfying beat.
Grade: C-
Green Lantern: Emerald Warriors #8
Publisher: DC
Writer: Peter Tomasi
Artist: Fernando Pasarin
Event Watch: War of the Green Lanterns Part 3
"…Beware MY freaking power--Guy Gardner's might!"
Well, three issues into DC's second biggest Summer blockbuster event and we've already stumbled. Not a good sign. This was a very exposition heavy issue serving mainly as a recap for things that readers of the GL books should already know. And if they didn't, well, there has to be a more artful and concise way of catching people up, cuz I've never had a fight quite as fact filled and informative as the one that Guy and Hal have in this issue.
Eventually the verbal argument gives way to fisticuffs, and I really hope this isn't the Hal and Guy schism that was foretold in prophecy over a year ago, because it just boils down to the influence of Paralax and a rehash of the fight between John and Kyle last issue. At the story's end Hal and Guy free themselves from Paralax's influence but are left in a situation possibly even more dire than that of John and Kyle.
Pasarin does a really nice job with the Green Lantern combat, however a few sequences were a little confusing, most notably at the beginning of the issue with the large number of Green Lanterns arriving to ambush Guy and Kilowog.
I really like Tomasi, and I've enjoyed the direction of this book, so I'm gonna chalk this issue's weaknesses up to Tomasi really wanting to catch readers up on the events of all the GL books before the real fireworks start in the crossover. Despite this weak opening chapter, I am still very excited to see where this story is going.
Grade: B-
Detective Comics #875
Publisher: DC
Writer: Scott Snyder
Artist: Francesco Francavilla
Of the nine comics I purchased this week, four of them employed a heavy use of flashbacks. This one utilized the technique the best. While at first glimpse the flashbacks have little connection to the story in the present, they are none the less engaging and gripping. And by issue's end, the connection between past and present is revealed, and hits you like a punch to the gut.
Detective Comics splits it's focus between arcs centered on Dick Grayson's Batman illustrated by Jock, and standalone stories featuring Commissioner Gordon illustrated by Francavilla. This story is the latter, and I am really enjoying the narrative split, as both protagonists take different but equally fascinating approaches to their roles as Detectives, and Snyder adds in little elements to keep the stories connected despite the fact the both stand on their own exceedingly well.
I can think of few creative teams that do a better job of setting a mood of suspense and horror. Take the opening two pages which have no purpose in the story other to set the mood. The horrifying visual metaphor beautifully rendered by Francavilla, illustrates just how rotten a city Gotham really is and sets the proper tone for the rest of the issue. And I for one am really enjoying this Avian motif Snyder is sticking with. Francavilla really knows how to mix nostalgia, horror, and suspense to give Snyder's story the pacing and tone that it needs. His art is absolutely gorgeous. Retro, and noir tinged, you almost can't help but hear the soundtrack from your favorite old detective movies when you look at his spreads. I would particularly call your attention to the double page spread where Gordon's face fades into some of the more disturbing memories of his son. And I would be remiss in not mentioning Franavilla's color pallet which emphasizes bright blues and oranges to distinguish the different time periods and seasons, making these pages a feast for the eyes.
It's a real shame for Snyder and Francavilla that they are working on this book around the same time that Grant Morrison is still writing a bat book, because otherwise Detective would easily stand out as the best book of the line. As it is they will have to settle for a dead heat, in which some months Morrison's book, is the best bat book, and sometimes theirs is. And going toe to toe with Grant Morrison and holding one's own is no small feat indeed.
Grade: A-
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Showing posts with label Green Lantern. Show all posts
Showing posts with label Green Lantern. Show all posts
Thursday, March 31, 2011
Thursday, March 24, 2011
Chris' Comics Corner
Ultimate Comics Spider-Man #156
Writer: Brian Michael Bendis
Artist: Mark Bagley
Publisher: Marvel Comics
Event Watch: Death of Spider-Man Part 1
"Not again."
This issue marks two important milestones for this title. The first, of course, is the reunion of the creative team currently holding the record for longest uninterrupted run on a single title (this one as a matter of fact). Yes, Bendis and Bagley are reunited and it feels so good. Ultimate Spider-Man has had the good fortune of showcasing a number of very, very talented artists. But Mark Bagley was there first, and his style will always be the high water mark to which others are measured. From his expressive depiction of Peter and Mary Jane's flirty interaction in the diner, to his lithe and agile wall crawler following Captain America into battle, Bagley showcases all of the strengths that make him a quintessential Spider-Man artist.
The second milestone is that this issue is the first official chapter of the "Death of Spider-Man" storyline (following what seemed like a year's worth of preludes and prologues). And while the creative team positively hums together, I can't help but feel a bit let down by this issue. Bendis scripts the hell out of the exchanges between Peter and MJ, and Peter and Steve Rogers. Bendis knows these characters well, and it is to his credit that as always he makes the dialogue, clever, engaging, and natural.
However the rest of this issue, namely the scenes at the Triskelion felt like very familiar rehashes of material from previous arcs: "Ultimate Six" and "Death of A Goblin". Certain beats play out almost exactly as they did in those stories, I even think a couple lines were reused.
I also have mixed feelings on the resurrection that occurs in this issue, first, because in a story entitled the "Death of Spider-Man", starting things off with a resurrection doesn't really lend gravity to the situation if the story is really going where Marvel wants us to think it's going. Secondly, while it is nice to see the return of an A-list character in the Ultimate Universe which has said goodbye to so, so many other A-list characters recently, if this is all we're going to get from him, I don't see why Dr. Octopus couldn't have been the driving force behind this arc instead of the character who returns. The Ultimate Clone Saga set Doc Ock up nicely as Peter's true arch nemesis as none of his other big bads ever came close to wounding Peter the way that Octavius did in that story.
I'm ecstatic Bendis and Bagley are back together, but this story is going to have to start treading new ground fast if it is to become the blockbuster that Bendis and Marvel are touting it as.
Grade: B (I was gonna go with a B-, but damn if I'm not just THAT happy to see Bagley back on this book.)
FF #1
Writer: Jonathan Hickman
Artist: Steve Epting
Publisher: Marvel
"Everyone! Prepare for spatial tunneling… We have to find some new ideas."
The Fantastic Four is no more. In it's place stands the Future Foundation. Reed, Sue, and Ben are joined by their children Franklin and Valeria Richards, a whole group of super intelligent youngsters from various species, an android Dragon, Alex Power (from the power pack), Nathaniel Richards (Reed's long lost time traveling father and genius in his own right), the Amazing Spider-Man, and a surprise final addition who makes their presence known in a fantastic twist ending to this stellar debut issue.
Whole lotta character running through a book which used to boast one of the smallest teams in comics. And you know what? It really works. The more dangerous super heroics are still handled by the core group of Mr. Fantastic, Invisible Woman, Thing, and Spider-Man, but Four Freedoms Plaza has a lot of new faces running around it. While this new group is more of a think tank, the familial tone that defines these characters and this title (be it a Fantastic Four book by any other name…) is still front and center, especially in the scene where the whole group sits down to dinner together.
I especially like the generational aspect now that Reed's dad has been thrown into the mix. Reed is used to being the final word on most science related situations, and also the patriarch of his clan. Having his equally brilliant father present is sure to alter this dynamic and opens the door to some interesting dramatic situations to explore. It was also nice to see the exchange between the three generations of Richards geniuses: Nathan, Reed, and Valeria.
Steve Epting is really getting a chance to shine on this book. His art has this very classic feel to it but with a darker, edgier undertone to it. I think that's exactly what this book needs right now. The death of Johnny is still weighing very heavily on everyone, especially Ben and Franklin, and the absence of the Human Torch makes the danger seem that much more palpable. Epting's pages have that clean, traditional super hero feel but there is also sadness in his characters, and maybe a hint of a forboding atmosphere throughout the whole issue. I think a lot of credit there should go to Epting and fellow inker Rick Magyar who just drenches certain sequences in much needed tone setting shadow.
If I had one complaint it would be the reintroduction of the Wizard as a villain, seeing how this book has been all about new ideas and looking to the future, and how the Fantastic Four's easy dismissal of him in Hickman's first issue set the tone for his run to date. However who am I to argue with the master plan that I know Jonathan Hickman possesses, I'm sure in the long run I will end up praising this move as sheer and utter brilliance.
The issue ends on a huge cliffhanger that is sure to lead to some major fire works next month, and undoubtedly throughout the year. As epic as it felt at the time, reading this issue makes me feel like Hickman's run on Fantastic Four, was just rearranging the pieces and setting things in motion for the true epic narrative to begin. This is a fantastic (couldn't resist) relaunch issue, and given the promise shown in this #1 as well as Hickman's previous work, this book will be a strong contender for my favorite series of 2011.
Grade: A
Green Lantern #64
Writer: Geoff Johns
Artist: Doug Mahnke
Publisher: DC
Event Watch: War of the Green Lanterns Part 1
"I turned your Manhunters against the Universe. Now it's time to do the same with your Green Lanterns."
Wow, this issue goes full throttle start to finish, and if you think things look bad for Hal at the beginning of the book, just wait till you get to the end.
I really have to commend DC for keeping a lot of the details of this story close to the vest. In the internet age where most story premises are leaked long before the books hit the shelves, I had surprisingly little pre-knowledge of this story or why the Green Lantern Corps would be going to war with itself (other than that it would have something to do with the mad guardian, Krona).
This issue picks up with Salaak being tasked to lead a group of Green Lanterns to arrest Hal for neglecting his duties, and conspiring with the leaders of the other various powered Corps. Things go from bad to worse when Krona makes his move against Oa and the Guardians of the Universe. Going into this story, I wondered how Johns could possibly top the enormously high challenges and stakes he established in Blackest Night. One issue in, I can confidently say, that won’t be a problem.
This issue marks a return to form for Johns. While his stories are as engaging and exciting as ever, I've noticed his dialogue suffering a little bit in recent months (possibly a result of the demands of his new day job as chief creative officer for DC comics). However, he is most definitely on his game this issue with the exception of one slightly expository exchange between Hal and Sinestro.
Doug Mahnke really gets to cut loose drawing aliens, alien worlds, and strange powers. His art dances over a wonderful line between high adventure and dark horror, which perfectly suits the subject matter of this title. He uses a number of splashes and spreads that really underscore the immensity of the plot developments but compensates by packing a lot of panels onto the other pages. Trust me, while any other artist's work might have felt cluttered using this technique, Mahnke's pages feel fast paced and packed with story.
This event is off to a very promising start, I look forward to seeing hot it develops, and how our favorite GL's of Sector 2814 weather this nasty new storm.
Grade: A-
Green Lantern Corps #58
Writer: Tony Bedard
Artist: Tyler Kirkham
Puslbisher: DC
Event Watch: War of the Green Lanterns Part 2
"Did you think it an accident I granted you the last power ring?"
And I didn't have to wait very long, because part 2 also went on sale this week. I don't normally buy this book, but I'm picking it up for the crossover with it's two sister titles which I do buy regularly. I have to say I am impressed by Bedard's handling of these characters and I think he is definitely capable of holding his own with Johns and Tomasi in the coming months.
This issue is a just as action heavy as part 1 was, if a little more focused on a tighter group of characters and fewer plot developments. There are some really exceptional character moments for Kyle and Ganthet in this issue, and by the book's end, John, Kyle, and Ganthet have found themselves in a situation even more dire than the one facing Hal.
Haven't seen much of Tyler Kirkham's work before this. Can't say I'm all that thrilled with his art. His figures are a bit too scratchy and blocky for my tastes. However I did like the ring Constructs he drew during Ganthet's fight with Kyle and John.
DC editorial has strongly hinted that this story isn't gonna end well for one of the four human GL's. And given this issue, I'd have to say that Kyle fans may want to brace themselves for some bad news in the coming months. But on the bright side it looks like he'll be getting plenty of spotlight in the meantime.
Grade: B+
Captain America 615.1
Writer: Ed Brubaker
Artist: Mitch Breitweiser
Publisher: Marvel
"Do you want to create a new M.O.D.O.K. or do you want to fight some idiot who thinks he's Captain America?"
Longtime readers of this column will remember my mixed feelings and frustrations with Marvel's .1 initiative. The books rarely seem to do what their intended purpose is: give a standalone story to inform new readers of what's been happening on the title and advance the plot for readers who have been here all along. While this issue fills us in on Steve's current status quo, and advances his story a bit, it really leaves out Bucky who at the moment is the titular character (though an impending movie release and the subject matter of this issue strongly suggest that might be changing soon).
The story is good, but it feels a bit repetitive. Steve catches wind of a new person taking up the mantle of Captain America and moves to shut him down before A.I.M. murder him, or worse (much, much, much worse). Brubaker handles the action scenes well and plays the two Caps off each other nicely, and even offers up a solid twist at the end. My only disappointment is that we already had a fake Cap running around in this title for like a year or two, and I believe it was only two story arcs ago that we saw the exit of that character. Let's give the fake Caps a rest for awhile huh?
Mitch Breitweiser on the other hand is thoroughly fantastic. I almost wish he was on the regular title. Nothing against regular Cap penciler Butch Guice, but Guice's style (and this might be an Inker's fault) sometimes seems too cartoony for a realistic espionage book. Breitweiser's pencils are thoroughly dark and gritty the whole way through.
Decent issue, but definitely could have done without another fake Cap.
Grade: B
Read more Chris' Comics Corner here
Want to keep tabs on all of our updates? follow us on twitter @reviewtobenamed (follow us here).
Writer: Brian Michael Bendis
Artist: Mark Bagley
Publisher: Marvel Comics
Event Watch: Death of Spider-Man Part 1
"Not again."
This issue marks two important milestones for this title. The first, of course, is the reunion of the creative team currently holding the record for longest uninterrupted run on a single title (this one as a matter of fact). Yes, Bendis and Bagley are reunited and it feels so good. Ultimate Spider-Man has had the good fortune of showcasing a number of very, very talented artists. But Mark Bagley was there first, and his style will always be the high water mark to which others are measured. From his expressive depiction of Peter and Mary Jane's flirty interaction in the diner, to his lithe and agile wall crawler following Captain America into battle, Bagley showcases all of the strengths that make him a quintessential Spider-Man artist.
The second milestone is that this issue is the first official chapter of the "Death of Spider-Man" storyline (following what seemed like a year's worth of preludes and prologues). And while the creative team positively hums together, I can't help but feel a bit let down by this issue. Bendis scripts the hell out of the exchanges between Peter and MJ, and Peter and Steve Rogers. Bendis knows these characters well, and it is to his credit that as always he makes the dialogue, clever, engaging, and natural.
However the rest of this issue, namely the scenes at the Triskelion felt like very familiar rehashes of material from previous arcs: "Ultimate Six" and "Death of A Goblin". Certain beats play out almost exactly as they did in those stories, I even think a couple lines were reused.
I also have mixed feelings on the resurrection that occurs in this issue, first, because in a story entitled the "Death of Spider-Man", starting things off with a resurrection doesn't really lend gravity to the situation if the story is really going where Marvel wants us to think it's going. Secondly, while it is nice to see the return of an A-list character in the Ultimate Universe which has said goodbye to so, so many other A-list characters recently, if this is all we're going to get from him, I don't see why Dr. Octopus couldn't have been the driving force behind this arc instead of the character who returns. The Ultimate Clone Saga set Doc Ock up nicely as Peter's true arch nemesis as none of his other big bads ever came close to wounding Peter the way that Octavius did in that story.
I'm ecstatic Bendis and Bagley are back together, but this story is going to have to start treading new ground fast if it is to become the blockbuster that Bendis and Marvel are touting it as.
Grade: B (I was gonna go with a B-, but damn if I'm not just THAT happy to see Bagley back on this book.)
FF #1
Writer: Jonathan Hickman
Artist: Steve Epting
Publisher: Marvel
"Everyone! Prepare for spatial tunneling… We have to find some new ideas."
The Fantastic Four is no more. In it's place stands the Future Foundation. Reed, Sue, and Ben are joined by their children Franklin and Valeria Richards, a whole group of super intelligent youngsters from various species, an android Dragon, Alex Power (from the power pack), Nathaniel Richards (Reed's long lost time traveling father and genius in his own right), the Amazing Spider-Man, and a surprise final addition who makes their presence known in a fantastic twist ending to this stellar debut issue.
Whole lotta character running through a book which used to boast one of the smallest teams in comics. And you know what? It really works. The more dangerous super heroics are still handled by the core group of Mr. Fantastic, Invisible Woman, Thing, and Spider-Man, but Four Freedoms Plaza has a lot of new faces running around it. While this new group is more of a think tank, the familial tone that defines these characters and this title (be it a Fantastic Four book by any other name…) is still front and center, especially in the scene where the whole group sits down to dinner together.
I especially like the generational aspect now that Reed's dad has been thrown into the mix. Reed is used to being the final word on most science related situations, and also the patriarch of his clan. Having his equally brilliant father present is sure to alter this dynamic and opens the door to some interesting dramatic situations to explore. It was also nice to see the exchange between the three generations of Richards geniuses: Nathan, Reed, and Valeria.
Steve Epting is really getting a chance to shine on this book. His art has this very classic feel to it but with a darker, edgier undertone to it. I think that's exactly what this book needs right now. The death of Johnny is still weighing very heavily on everyone, especially Ben and Franklin, and the absence of the Human Torch makes the danger seem that much more palpable. Epting's pages have that clean, traditional super hero feel but there is also sadness in his characters, and maybe a hint of a forboding atmosphere throughout the whole issue. I think a lot of credit there should go to Epting and fellow inker Rick Magyar who just drenches certain sequences in much needed tone setting shadow.
If I had one complaint it would be the reintroduction of the Wizard as a villain, seeing how this book has been all about new ideas and looking to the future, and how the Fantastic Four's easy dismissal of him in Hickman's first issue set the tone for his run to date. However who am I to argue with the master plan that I know Jonathan Hickman possesses, I'm sure in the long run I will end up praising this move as sheer and utter brilliance.
The issue ends on a huge cliffhanger that is sure to lead to some major fire works next month, and undoubtedly throughout the year. As epic as it felt at the time, reading this issue makes me feel like Hickman's run on Fantastic Four, was just rearranging the pieces and setting things in motion for the true epic narrative to begin. This is a fantastic (couldn't resist) relaunch issue, and given the promise shown in this #1 as well as Hickman's previous work, this book will be a strong contender for my favorite series of 2011.
Grade: A
Green Lantern #64
Writer: Geoff Johns
Artist: Doug Mahnke
Publisher: DC
Event Watch: War of the Green Lanterns Part 1
"I turned your Manhunters against the Universe. Now it's time to do the same with your Green Lanterns."
Wow, this issue goes full throttle start to finish, and if you think things look bad for Hal at the beginning of the book, just wait till you get to the end.
I really have to commend DC for keeping a lot of the details of this story close to the vest. In the internet age where most story premises are leaked long before the books hit the shelves, I had surprisingly little pre-knowledge of this story or why the Green Lantern Corps would be going to war with itself (other than that it would have something to do with the mad guardian, Krona).
This issue picks up with Salaak being tasked to lead a group of Green Lanterns to arrest Hal for neglecting his duties, and conspiring with the leaders of the other various powered Corps. Things go from bad to worse when Krona makes his move against Oa and the Guardians of the Universe. Going into this story, I wondered how Johns could possibly top the enormously high challenges and stakes he established in Blackest Night. One issue in, I can confidently say, that won’t be a problem.
This issue marks a return to form for Johns. While his stories are as engaging and exciting as ever, I've noticed his dialogue suffering a little bit in recent months (possibly a result of the demands of his new day job as chief creative officer for DC comics). However, he is most definitely on his game this issue with the exception of one slightly expository exchange between Hal and Sinestro.
Doug Mahnke really gets to cut loose drawing aliens, alien worlds, and strange powers. His art dances over a wonderful line between high adventure and dark horror, which perfectly suits the subject matter of this title. He uses a number of splashes and spreads that really underscore the immensity of the plot developments but compensates by packing a lot of panels onto the other pages. Trust me, while any other artist's work might have felt cluttered using this technique, Mahnke's pages feel fast paced and packed with story.
This event is off to a very promising start, I look forward to seeing hot it develops, and how our favorite GL's of Sector 2814 weather this nasty new storm.
Grade: A-
Green Lantern Corps #58
Writer: Tony Bedard
Artist: Tyler Kirkham
Puslbisher: DC
Event Watch: War of the Green Lanterns Part 2
"Did you think it an accident I granted you the last power ring?"
And I didn't have to wait very long, because part 2 also went on sale this week. I don't normally buy this book, but I'm picking it up for the crossover with it's two sister titles which I do buy regularly. I have to say I am impressed by Bedard's handling of these characters and I think he is definitely capable of holding his own with Johns and Tomasi in the coming months.
This issue is a just as action heavy as part 1 was, if a little more focused on a tighter group of characters and fewer plot developments. There are some really exceptional character moments for Kyle and Ganthet in this issue, and by the book's end, John, Kyle, and Ganthet have found themselves in a situation even more dire than the one facing Hal.
Haven't seen much of Tyler Kirkham's work before this. Can't say I'm all that thrilled with his art. His figures are a bit too scratchy and blocky for my tastes. However I did like the ring Constructs he drew during Ganthet's fight with Kyle and John.
DC editorial has strongly hinted that this story isn't gonna end well for one of the four human GL's. And given this issue, I'd have to say that Kyle fans may want to brace themselves for some bad news in the coming months. But on the bright side it looks like he'll be getting plenty of spotlight in the meantime.
Grade: B+
Captain America 615.1
Writer: Ed Brubaker
Artist: Mitch Breitweiser
Publisher: Marvel
"Do you want to create a new M.O.D.O.K. or do you want to fight some idiot who thinks he's Captain America?"
Longtime readers of this column will remember my mixed feelings and frustrations with Marvel's .1 initiative. The books rarely seem to do what their intended purpose is: give a standalone story to inform new readers of what's been happening on the title and advance the plot for readers who have been here all along. While this issue fills us in on Steve's current status quo, and advances his story a bit, it really leaves out Bucky who at the moment is the titular character (though an impending movie release and the subject matter of this issue strongly suggest that might be changing soon).
The story is good, but it feels a bit repetitive. Steve catches wind of a new person taking up the mantle of Captain America and moves to shut him down before A.I.M. murder him, or worse (much, much, much worse). Brubaker handles the action scenes well and plays the two Caps off each other nicely, and even offers up a solid twist at the end. My only disappointment is that we already had a fake Cap running around in this title for like a year or two, and I believe it was only two story arcs ago that we saw the exit of that character. Let's give the fake Caps a rest for awhile huh?
Mitch Breitweiser on the other hand is thoroughly fantastic. I almost wish he was on the regular title. Nothing against regular Cap penciler Butch Guice, but Guice's style (and this might be an Inker's fault) sometimes seems too cartoony for a realistic espionage book. Breitweiser's pencils are thoroughly dark and gritty the whole way through.
Decent issue, but definitely could have done without another fake Cap.
Grade: B
Read more Chris' Comics Corner here
Want to keep tabs on all of our updates? follow us on twitter @reviewtobenamed (follow us here).
Thursday, January 6, 2011
Chris' Comics Corner
Hello all! Welcome to the first Installment of Chris's Comics Corner. I would like to begin with a big thank you to Jordan, both for hosting this feature, and for coming up with the awesomely alliterative title.
I'm guessing that most of you reading this are not die hard fans. I will assume that, at best you have a casual interest in and a passing knowledge of comics. I get that. I want this feature to be accessible, and I'm going to do my best to keep it that way. This isn't a column for the fanboys, this is a column for people who enjoy cool stories, and want to learn some more about one of the most fascinating and most misunderstood mediums of storytelling. I can only hope that my enthusiasm for the material I'm writing about might encourage you to swing by your local comic shop, and flip through some great books.
The feature will consist of two parts.
1.) Reviews. Each week, I will try to review a few newly released books. The reviews will be short, and I will be using Jordan's letter grade system.
2.) Where Do We Go From Here. This section will be a look at the business aspect of comics, as I believe it is equally as fascinating as the stories themselves. I will examine trends in storytelling, try to shed some light on the motivations behind the decisions of the publishers, and occasionally make predictions for the coming year. This section could also include a list of five somethings related to comics. For Instance, Five Artists To Watch, My Five Favorite Batman Stories, etc.
Now, let's get down to business, shall we?
REVIEWS :
Superboy #3
DC Comics
Writer: Jeff Lemire Artist: Pier Gallo
Superboy follows Connor Kent, a teenaged clone who shares 50% of Superman's DNA, and 50% of Superman's arch rival Lex Luthor's DNA, and chronicles his adventures growing up in and protecting Superman's home town of Smallville. Jeff Lemire is a writer best known for his independent non-superhero related work, and while I think he is still finding his footing as a writer in the superhero medium, he is definitely steering this title in the right direction.
This issue finds Connor distraught over the destruction of Smallville's crops by an alien device of unknown origin. Connor saved Smallville, but not the crops that this rural community survives on for their livelihood. Instead of moping, or ignoring the problem, Connor finds a solution, one that is rooted in DC tradition: He asks his friend and teammate Kid Flash to participate in a race as a fundraiser to help the town's farmers get back on their feet. Pleased with his solution, Connor heads to school, only to witness the entire student body black out from extreme migraines due to the arrival of a strange visitor from the future.
Superboy is unique among superhero comics, in that it walks a fine line between horror Sci Fi, and Norman Rockwell. Smallville was always a strange place, but Lemire has injected a much welcome Sunnydale-esque strangeness into this sleepy little farm town. But at its heart, this book is the story of a kid coming of age in rural America, living on a farm with Superman's adoptive mom, and having adventures with his super powered dog Krypto. It's that down to earth and wholesome quality, epitomized in this issue by Connor's concern for his neighbor's plight and his actions to help them, beyond just stopping a super villain's evil plan, that makes this title great. Extreme property damage is a staple of superhero comics, and is often forgotten, or dismissed with a tongue-in-cheek joke. However Connor follows through and cleans up the mess. With little touches like this, Lemire is fast making Connor one of the most likable protagonists in comics.
Grade: B
Brightest Day #17
DC Comics
Writers: Geoff Johns & Peter Tomasi Artists: Ivan Reis, Ardian Syaf, Scot Clark, & Joe Prado
Brightest Day is a 26 issue Bi-Monthly Maxi-Series that follows the adventures of six heroes (Aquaman, Martian Manhunter, Hawkman, Hawkgirl, Firestorm, and Deadman) who were resurrected at the end of last year's mega event, Blackest Night. Each hero has their own separate plot line (with the exception of the Hawks), and each individual issue focuses on two or three of these plot lines. Despite the phenomenal creative talent behind this book, its quality can best be described as uneven. This issue however, was a pleasant surprise.
The Firestorm, Hawkman & Hawkgirl, and Deadman stories took center stage this week. The Firestorm and Hawks stories have traditionally been my least favorite of the bunch, but both installments proved to be fairly enjoyable this time around. However the real highlight of the issue were the portions with Deadman. Deadman was a character who began his superhero career by dying and becoming a disembodied spirit, so watching him come to terms with a second lease on life has consistently been one of the most enjoyable parts of this series. Whether it's his surprising and touching (though strangely not creepy despite their age difference) relationship with fellow heroine Dove, or his reunion with the grandfather whom he dismissed and ignored as a boy, Deadman, a character who was defined by his vanity and isolation, is finally discovering how to embrace life, and realizing it is best when shared with others. These scenes are beautifully rendered by Ivan Reis who has proven that he can do quiet emotional moments just as well as he can do blockbuster action scenes. The characters' expressions say volumes, especially during the almost completely wordless reunion of grandfather and grandson, and the joyful motorcycle ride at the issue's close.
I'm willing to cut the creators some slack as a bi-monthly release schedule following nine protagonists in five different story lines is a massive undertaking. When a title is released this rapidly it's hard to change course and correct mistakes. However it's a shame that the impact of the higher quality stories like the Deadman and Aquaman features are adulterated by the space constraints of having to advance the plots of several different stories in so few pages, and the fact that due to the shifting focus, it will probably be another two or three issues until we get the next installment of this very moving story.
Grade: B
WHERE DO WE GO FROM HERE?
FIVE REASONS 2011 WILL ROCK
1.) Fear Itself. Not much is known about Marvel's next big blockbuster event, except that Captain America and Thor will play a large role. All you really need to know is that this book is written by Matt Fraction, my favorite writer at Marvel and one of the most fresh, intelligent, and creative voices in comics today. And it is drawn by the incomparable Stuart Immonen whose runs on Nextwave, Ultimate Spider-Man, and New Avengers made him a super star. These are two of my favorite creators and I am so happy that Marvel is highlighting their talents by entrusting them with what is sure to be the biggest book 2011.
2.) Spider-Man Titles. Dan Slott is writing a bi-monthly Amazing Spider-Man that is bursting at the seems with content and simmering sub plots. Peter has a new job, a new girlfriend, and a new supporting cast and Spider-Man has to deal with a new Sinister Six, a new Venom, and the return of the Kingpin. Ultimate Spider-Man kicks off the Spring with the very secretive Death of Spider-Man storyline which reunites penciler Mark Bagley with writer Brian Bendis. These two superstars not only launched the series, but also produced a record 111 issues in a row, the longest uninterrupted run of any writer/artist team ever! 2011 will be a good year for Spider-Man fans.
3.) War of The Green Lanterns. A crossover between the three ongoing series (Green Lantern, Green Lantern Corps, & Green Lantern: Emerald Warriors) of DC's hottest franchise? Yes please. Geoff Johns, Peter Tomasi, and Tony Bedard continue to expand the Green Lantern Mythos in this event which will focus on an ideological conflict between the four main GL's (Hal Jordan, Kyle Raynor, Guy Gardner, and John Stewart), sparking a Green Lantern civil war.
4.) DC's Line In The Sand. Just when it seemed like a 3.99 comics price tag was inevitable, DC announced a firm 2.99 price cap. This is an incredibly classy move on their part and shows a great amount of empathy and support for the fans. It will be interesting to see how Marvel responds.
5.) New Casanova. Matt Fraction's mature readers, creator owned psychedelic, science fiction, super spy thriller returns to delight our senses and induce brain hemorrhages if stared at for too long. This book is one of a kind, and all around awesome. 2011 will see the in-color reprint of volume II and the first new installment of Casanova in years!
Read more Chris' Comics Corner here
I'm guessing that most of you reading this are not die hard fans. I will assume that, at best you have a casual interest in and a passing knowledge of comics. I get that. I want this feature to be accessible, and I'm going to do my best to keep it that way. This isn't a column for the fanboys, this is a column for people who enjoy cool stories, and want to learn some more about one of the most fascinating and most misunderstood mediums of storytelling. I can only hope that my enthusiasm for the material I'm writing about might encourage you to swing by your local comic shop, and flip through some great books.
The feature will consist of two parts.
1.) Reviews. Each week, I will try to review a few newly released books. The reviews will be short, and I will be using Jordan's letter grade system.
2.) Where Do We Go From Here. This section will be a look at the business aspect of comics, as I believe it is equally as fascinating as the stories themselves. I will examine trends in storytelling, try to shed some light on the motivations behind the decisions of the publishers, and occasionally make predictions for the coming year. This section could also include a list of five somethings related to comics. For Instance, Five Artists To Watch, My Five Favorite Batman Stories, etc.
Now, let's get down to business, shall we?
REVIEWS :
Superboy #3
DC Comics
Writer: Jeff Lemire Artist: Pier Gallo
Superboy follows Connor Kent, a teenaged clone who shares 50% of Superman's DNA, and 50% of Superman's arch rival Lex Luthor's DNA, and chronicles his adventures growing up in and protecting Superman's home town of Smallville. Jeff Lemire is a writer best known for his independent non-superhero related work, and while I think he is still finding his footing as a writer in the superhero medium, he is definitely steering this title in the right direction.
This issue finds Connor distraught over the destruction of Smallville's crops by an alien device of unknown origin. Connor saved Smallville, but not the crops that this rural community survives on for their livelihood. Instead of moping, or ignoring the problem, Connor finds a solution, one that is rooted in DC tradition: He asks his friend and teammate Kid Flash to participate in a race as a fundraiser to help the town's farmers get back on their feet. Pleased with his solution, Connor heads to school, only to witness the entire student body black out from extreme migraines due to the arrival of a strange visitor from the future.
Superboy is unique among superhero comics, in that it walks a fine line between horror Sci Fi, and Norman Rockwell. Smallville was always a strange place, but Lemire has injected a much welcome Sunnydale-esque strangeness into this sleepy little farm town. But at its heart, this book is the story of a kid coming of age in rural America, living on a farm with Superman's adoptive mom, and having adventures with his super powered dog Krypto. It's that down to earth and wholesome quality, epitomized in this issue by Connor's concern for his neighbor's plight and his actions to help them, beyond just stopping a super villain's evil plan, that makes this title great. Extreme property damage is a staple of superhero comics, and is often forgotten, or dismissed with a tongue-in-cheek joke. However Connor follows through and cleans up the mess. With little touches like this, Lemire is fast making Connor one of the most likable protagonists in comics.
Grade: B
Brightest Day #17
DC Comics
Writers: Geoff Johns & Peter Tomasi Artists: Ivan Reis, Ardian Syaf, Scot Clark, & Joe Prado
Brightest Day is a 26 issue Bi-Monthly Maxi-Series that follows the adventures of six heroes (Aquaman, Martian Manhunter, Hawkman, Hawkgirl, Firestorm, and Deadman) who were resurrected at the end of last year's mega event, Blackest Night. Each hero has their own separate plot line (with the exception of the Hawks), and each individual issue focuses on two or three of these plot lines. Despite the phenomenal creative talent behind this book, its quality can best be described as uneven. This issue however, was a pleasant surprise.
The Firestorm, Hawkman & Hawkgirl, and Deadman stories took center stage this week. The Firestorm and Hawks stories have traditionally been my least favorite of the bunch, but both installments proved to be fairly enjoyable this time around. However the real highlight of the issue were the portions with Deadman. Deadman was a character who began his superhero career by dying and becoming a disembodied spirit, so watching him come to terms with a second lease on life has consistently been one of the most enjoyable parts of this series. Whether it's his surprising and touching (though strangely not creepy despite their age difference) relationship with fellow heroine Dove, or his reunion with the grandfather whom he dismissed and ignored as a boy, Deadman, a character who was defined by his vanity and isolation, is finally discovering how to embrace life, and realizing it is best when shared with others. These scenes are beautifully rendered by Ivan Reis who has proven that he can do quiet emotional moments just as well as he can do blockbuster action scenes. The characters' expressions say volumes, especially during the almost completely wordless reunion of grandfather and grandson, and the joyful motorcycle ride at the issue's close.
I'm willing to cut the creators some slack as a bi-monthly release schedule following nine protagonists in five different story lines is a massive undertaking. When a title is released this rapidly it's hard to change course and correct mistakes. However it's a shame that the impact of the higher quality stories like the Deadman and Aquaman features are adulterated by the space constraints of having to advance the plots of several different stories in so few pages, and the fact that due to the shifting focus, it will probably be another two or three issues until we get the next installment of this very moving story.
Grade: B
WHERE DO WE GO FROM HERE?
FIVE REASONS 2011 WILL ROCK
1.) Fear Itself. Not much is known about Marvel's next big blockbuster event, except that Captain America and Thor will play a large role. All you really need to know is that this book is written by Matt Fraction, my favorite writer at Marvel and one of the most fresh, intelligent, and creative voices in comics today. And it is drawn by the incomparable Stuart Immonen whose runs on Nextwave, Ultimate Spider-Man, and New Avengers made him a super star. These are two of my favorite creators and I am so happy that Marvel is highlighting their talents by entrusting them with what is sure to be the biggest book 2011.
2.) Spider-Man Titles. Dan Slott is writing a bi-monthly Amazing Spider-Man that is bursting at the seems with content and simmering sub plots. Peter has a new job, a new girlfriend, and a new supporting cast and Spider-Man has to deal with a new Sinister Six, a new Venom, and the return of the Kingpin. Ultimate Spider-Man kicks off the Spring with the very secretive Death of Spider-Man storyline which reunites penciler Mark Bagley with writer Brian Bendis. These two superstars not only launched the series, but also produced a record 111 issues in a row, the longest uninterrupted run of any writer/artist team ever! 2011 will be a good year for Spider-Man fans.
3.) War of The Green Lanterns. A crossover between the three ongoing series (Green Lantern, Green Lantern Corps, & Green Lantern: Emerald Warriors) of DC's hottest franchise? Yes please. Geoff Johns, Peter Tomasi, and Tony Bedard continue to expand the Green Lantern Mythos in this event which will focus on an ideological conflict between the four main GL's (Hal Jordan, Kyle Raynor, Guy Gardner, and John Stewart), sparking a Green Lantern civil war.
4.) DC's Line In The Sand. Just when it seemed like a 3.99 comics price tag was inevitable, DC announced a firm 2.99 price cap. This is an incredibly classy move on their part and shows a great amount of empathy and support for the fans. It will be interesting to see how Marvel responds.
5.) New Casanova. Matt Fraction's mature readers, creator owned psychedelic, science fiction, super spy thriller returns to delight our senses and induce brain hemorrhages if stared at for too long. This book is one of a kind, and all around awesome. 2011 will see the in-color reprint of volume II and the first new installment of Casanova in years!
Read more Chris' Comics Corner here
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