Note: The purpose of Whose Film Is It Anyway? is to examine the validity of the auteur theory through the lens of individual film-makers, taking a look at their bodies of work and highlighting the technical elements, personal style, and thematic consistency of their films. Ultimately, the goal of this column will be to generate a discussion of the merits of auteur theory through examinations of directors widely considered auteurs, analyses of directors whose status as auteurs is more tenuous, and occasional looks at non-directors who may drive the quality and content of their films with more assuredness than the directors they work with.
For ease of navigation, below you will find a collection of the past installments of Whose Film Is It Anyway?. Enjoy!
Notes on the Auteur Theory in 2011
Christopher Nolan
Aaron Sorkin
Michael Bay
Hal Ashby
Quentin Tarantino
George Lucas
Akira Kurosawa
Kevin Smith
Mike Myers
Frank Capra
Darren Aronofsky
Kathryn Bigelow
James Cameron
John Carpenter
George Romero
Ingmar Bergman
Sergio Leone
Jean-Luc Godard
Todd Solondz
Charlie Kaufman
Fritz Lang
Paul Thomas Anderson
David Mamet
Terry Gilliam
Martin Scorsese
Wes Anderson
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